garden tales from a Brit at home and abroad
Ronald Reagan (I think) said that one picture was worth a thousand denials. Although digital photography has rather blurred the issue of course since Reagan’s day, we still have that sense that photographs are – or ought to be – somehow more reliable and truthful than the written or spoken word.
I was struck by this belief during a visit last summer to London’s Bankside Gallery to see the winners of IGPOTY – the International Garden Photographer of the Year awards. Many of the exhibition images were in fact created by blending two or more photos. The handsome picture of the mole below, for instance, appears to show his right paw in motion from the efforts of digging – but the effect of movement was apparently created by merging together more than one image.
This felt at first like fakery. But all digital images are ultimately manipulated, by what the photographer chooses to include in the shot, when he/she takes it, choice of camera, lens and settings, and how the image is processed afterwards. Professional photographer Charles Hawes has more interesting things to say on how all of the IGPOTY images will have had “quite a bit of work done.” Indeed, the US garden photographer Saxon Holt frequently reminds his students that “the camera always lies.” Maybe there is an argument that such manipulation allows us to see a greater truth? Or at least that professional photographers ought to be allowed to use hard work and expert skills to improve what would otherwise be just a snap?
Now the winners of this year’s IGPOTY have just been announced. It’s interesting that the overall winner (the lovely shot below of a prairie garden by Rosanna Castrini) is particularly praised by the judges for being a “straightforward rendering … in lovely light and with no tricks.” I wonder what sort of interventions the judges consider trickery? And why they feel the need to deny that anything somehow underhand has taken place?
Judge for yourselves the extent and acceptability of the trickery involved as exhibitions of the winning photographs tour the UK and further afield.